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Roland RJL-7007J Pat Metheny Collection

2025-12-17T05:07:38Z

Midiphile: Formatting.

{{Disk
|Type=Songs
|Code=RJL-7007J
|Title=Pat Metheny Collection
|SortableTitle=RJL-7007J
|Series=Listen Series
|Producer=Roland
|CoProduction=Edirol
|Programming=Idecs, Mitsuru Sakaue
|SoundFormats=GS
|FileFormats=SMF Type 0
|Medium=3½" 2HD
|ReleaseYear=1997
|CoverArt=RJL-7007J Cover.jpg
}}
Songs by jazz guitarist [https://en.wikipedia.org/wiki/Pat_Metheny Pat Metheny] and the [https://en.wikipedia.org/wiki/Pat_Metheny_Group Pat Metheny Group]. The liner notes on the inside of the front cover includes comments about each track by programmer [[Mitsuru Sakaue]]. Sakaue, who goes by the moniker ''@metpatheny'' online, provides [https://mitsurusakaue.com/2015/12/22/pat-metheny-group-first-circle/ additional comments] on his interpretation of the track ''The First Circle'' on [https://mitsurusakaue.com/ his blog].

== Tracks ==
* L7007_01.MID - Have You Heard
* L7007_02.MID - Last Train Home
* L7007_03.MID - The First Circle
* L7007_04.MID - James
* L7007_05.MID - Phase Dance (from the live album ''Travels'')
* L7007_06.MID - Third Wind
* L7007_07.MID - Letter From Home

{{clear}}
== Liner notes ==
{|
! 🇯🇵 Japanese (original)
! 🇬🇧 English (machine translated)
|- style="vertical-align:top;"
| '''■収録データ解説(アイデックス坂上暢氏)'''
私にとってパット・メセニーの音楽とは、このままずっとリスナー側の立場を維持していたいとしか言い様の無い存在なのだ。よってコピーするとか曲分析といったことに関しては罪悪感を感じてしまうのであるが、図らずも今回あえてそのタブーを冒すことになってしまった。それがこのSMFミュージックデータである。パットのギター・ソロを始め各プレーヤーの演奏は、可能な限り正確にミュージックデータ化したつもりであるが、どうしても聞き取れないパートは、私物の秘蔵ビデオ、海賊版CD等を片っ端からチェックしまくり分析した。とにかくSC-55一台で表現可能なことはすべてやったという気がする。

ヴォイス・リザーヴの関係上、結果的にプログラム・チェンジを多用することになってしまったので、曲途中からの再生は不可能に近いと思う。これには注意していただきたい。

このミュージックデータが単にリスニング目的だけでなく、フレーズ分析、打ち込み研究の何らかの参考になれば幸いである。

最後に、このミュージックデータをお聞きいただいての御意見、御感想等は下記まで頂けたらありがたい。

E-mail sakaue@idecs.co.jp
| '''■ Commentary on the recorded data by Idecs' Mitsuru Sakaue'''
For me, Pat Metheny's music is something that I can only say that I want to continue to listen to as a listener. Therefore, I feel guilty when it comes to things like copying and analyzing songs, but this time I inadvertently dared to break that taboo with this SMF music data. I tried to convert Pat's guitar solos and each player's performances into music data as accurately as possible, but for parts that I simply couldn't discern by ear, I thoroughly checked and analyzed my personal collection of treasured videos, bootleg CDs, etc. Anyway, I feel like I've accomplished everything that can be expressed with a single SC-55.

Due to voice reserve issues, I ended up using a lot of program changes, making it nearly impossible to play back from the middle of the songs. Please be aware of this.

I hope this music data will be useful, not only for listening purposes, but also as a reference for phrase analysis and sequencing studies.

Finally, I would appreciate it if you could send me your opinions and impressions after listening to this music data.

E-mail: sakaue@idecs.co.jp

|- style="vertical-align:top;"
|'''<SC-88,SC-88Proユーザーへのお願い>'''

SC-88VL,SC-88Proで再生される方は、最初は必ず「SC-55 MODE」で聞いて欲しい。その後は自由に音色を差し替えたり、インサーション・エフェクト等を使ったりして楽しんで下さい。SC-88Proであれば、ドラムの STANDARD 1>STANDARD 3, Acoustic Bass > Wild A.Bass、Piano > Piano wあたりに差し替えるのが良いのではないかと思う。またギター、

ベースを始め、Cutt offは割りと低めに設定しているので、そのへんは好みで調節して欲しい。
| '''For SC-88 and SC-88Pro users'''
If you are playing back on a SC-88VL or SC-88Pro, please be sure to set it to "SC-55 MODE" first. After that, feel free to change the tones and use insertion effects, etc, and have fun. With the SC-88Pro, I think it would be better to replace the drums ''STANDARD 1'' with ''STANDARD 3'', ''Acoustic Bass'' with ''Wild A.Bass'' and ''Piano'' with ''Piano w''. Additionally, for guitars and bass, the ''Cut off'' is set relatively low, so please adjust that to your liking.

|- style="vertical-align:top;"
| '''■曲別解説(収録曲順)'''
| '''■ Track-by-track commentary'''

|- style="vertical-align:top;"
| '''1) Have You Heard'''
さらっと聞いた感じでは、変拍子には聞こえないが7拍子が基本パターン。発音数の関係上、ピアノは泣く泣くヴォイシングを変えてある。原曲はなんと同期モノであり、生音以外にも様々な打ち込み音色が入っている。
| '''1) Have You Heard'''
At first glance, it doesn't sound like it's in an odd time signature, but it's actually based on a 7/4 pattern. The piano voicings had to be changed, albeit reluctantly, due to the number of notes involved. The original piece is actually a sequenced track, incorporating a variety of programmed sounds in addition to live instrumentation.

|- style="vertical-align:top;"
| '''2) Last Train Home'''
たった5つの音で構成されてるにも拘わらず、非常に説得力のあるメロディー・ライン。エレクトリック・シタールにはFletless Bass音色を使用。Resonance を少し上げることでシタール特有のドロー弦音色をシミュレーションしている。 Jazz Gt音色はアタックの補強用である。SC-88Proの場合、Cut Offはもう少し明るめにしたほうが良いだろう。French HornはFr. Horn 2に、Synth BrassはSoft Brassあたりが良いと思う。しかし、メロディーもさることながら、バットのソロはとにかく素晴らしく歌っている。リアルタイム入力で弾いていたら、113小節目あたりでは思わず泣けてきた。
| '''2) Last Train Home'''
Despite being composed of only five notes, the melody line is incredibly compelling. For the electric sitar sound, the ''Fretless Bass'' tone is used. By slightly raising the ''Resonance'', it simulates the distinctive droning string sound of the sitar. The ''Jazz Gt'' tone is used to reinforce the attack. For the SC-88Pro, it might be better to adjust the ''Cut Off'' to be a bit brighter. I think ''Fr. Horn 2'' is better for ''French Horn'', and ''Soft Brass'' is better for ''Synth Brass''. However, beyond the melody, Pat's solo is exceptionally well-performed, singing beautifully. Playing it in real time, I found myself moved to tears around measure 113.

|- style="vertical-align:top;"
| '''3) The First Circle'''

この曲は6/4+5/4=11拍子が基本パターン。これも信じられないことであるが原曲は同期モノなのである(テンポもズーっと変化していない)。この曲でのライル・メイズのピアノ・ソロはおそらく彼のベスト・テイクのひとつだと思うが、彼独特のノリを再現するのには非常に時間を要した。左から聞こえるナイロン弦のギターはペドロ・アズナール、右のスチール弦はバットであるが発音数の問題上、ヴォイシングは少々変えてある。
| '''3) The First Circle'''
The basic pattern of this song is 6/4 + 5/4 = 11/4 time signature. The original piece is synchronized (with the tempo remaining constant throughout), which is hard to believe. I think Lyle Mays' piano solo on this song is probably one of his best takes, but it took me a lot of time to recreate his signature groove. The nylon string guitar you hear from the left is Pedro Aznar, and the steel string on the right is Pat, but the voicing has been changed slightly due to the number of notes.

|- style="vertical-align:top;"
| '''4) James'''

1981年リリースのOFF RAMPからの非常にポップな曲。ギターは何回重ねているのかよく分からないが、とにかく採譜には泣かされた。

ライル・メイズのピアノ・ソロについて:

とにかくこの人のピアノはクオンタイズ不可能なので、必死で練習しました。微妙なタメ、モタリを聞いて欲しい。
| '''4) James'''
A very popular song from ''Off Ramp'' released in 1981. I'm not sure how many times the guitar is layered, but transcribing it was certainly challenging.

Regarding Lyle Mays' piano solo:

His piano playing simply cannot be quantized, so I practiced desperately. I want you to listen for the subtle delays and lag.

|- style="vertical-align:top;"
| '''5) Phase Dance (''Travels'' version)'''

1983年リリースの「Travels」ライヴ・ヴァージョン。この頃は (Phase Dance同様) ドラムがダニー・ゴットリーブ、パーカッションがナナ・ヴァスコンセロス。ソロ回しに最適なコード・チェンジ、メモリー形式、またライヴということもあって非常に白熱した演奏です。熱狂している観衆はオマケ。実際にはバットは2種類のギターを弾いている。Bm11で聞くことの出来る「ジャーン」というクラスター・サウンドは、ギターのハーモニクスとライル・メイズのオート・ハープによるもの。
| '''5) Phase Dance (''Travels'' version)'''
This is from the live album ''Travels'' released in 1983. At this time, like ''Phase Dance'', it was Danny Gottlieb on drums and Naná Vasconcelos on percussion. The chord changes are perfect for soloing, and since it's a live performance, it's an intensely energic performance. The enthusiastic audience is a bonus. In reality, Metheny plays two types of guitars. The cluster sound heard on Bm11, described as "jang", is the harmonics of the guitar and Lyle Mays' autoharp.

|- style="vertical-align:top;"
| '''6) Third Wind'''

この曲がいちばん大変でした。サンバ風、アフリカン・ビート、4ビートと変貌していく凝りに凝った構成。緻密に計算された伏線がすごい。中盤のシーケンス・フレーズは、微妙な倍音が聞こえる。ミュージックデータではこの倍音を再現するために、少し変わった音列でマリンバを打ち込んでみた。パイブとヴォイスの3連系フレーズは「3連4つ取り」であり、後半部の伏線となっている。とにかく使用音色数が膨大(約30音色、パーカッションはなんと30 数種類!!)。後半のGR-300のソロでは、多重録音による(シンセ) ブラス・セクションまでが現れる。参ったね... これには。
| '''6) Third Wind'''
This song was the most challenging. An elaborate composition that transitions from a samba feel to African beats to a 4-beat rhythm. The carefully calculated foreshadowing is amazing. In the middle part of the song, you can hear subtle overtones. In order to reproduce these overtones as MIDI data, I tried playing the marimba with a slightly unusual sequence of notes. The triplet phrases for pipes and vocals are structured as "three triplets in groups of four", foreshadowing for the second half of the piece. The number of sounds used is enormous (about 30 instruments, and over 30 percussion sounds!!). In the GR-300 solo in the second half, an overdubbed (synth) brass section appears. Quite the ordeal, this one...

|- style="vertical-align:top;"
| '''7) Letter From Home'''

最後はしんみりとバラードで締めくくりたい。ソプラノ・ギターはナイロン・ギターで代用。バックのシンセ・ストリングスのダイナミクスが絶妙なのであるが、ミュージックデータでは3パートを使用している。うっすらと聞こえるシンセ・ホルンが美しい。
| '''7) Letter From Home'''
I want to conclude with a melancholy ballad. A nylon guitar is used instead of a soprano guitar. The dynamics of the backing synth strings are exquisite, but the music data uses three parts. The faintly heard synth horn is beautiful.
|}

== Images ==
=== Cover ===
<gallery>
File:RJL-7007J_Cover_full.jpg
File:RJL-7007J_Cover_inside.jpg
File:RJL-7007J_Cover_back.jpg
File:RJL-7007J_Obi_strip.jpg
</gallery>
=== Disk ===
<gallery>
File:RJL-7007J_Disk.jpg
File:RJL-7007J_Disk_back.jpg
File:RJL-7007J_Disk_spine.jpg
</gallery>

== Links ==
* [https://www.roland.mu/consumer/listening/detail.html?id=L7007 L7007 available for digital purchase on Roland.mu]
* [https://mitsurusakaue.com/2015/12/22/pat-metheny-group-first-circle/ Additional information about the track ''The First Circle'' on Mitsuru Sakaue's blog]

Rittor Music SMC-006 Stravinsky - Le Sacre du Printemps

2025-12-17T05:04:56Z

Midiphile: Formatting.

{{Disk
|Type=Songs
|Code=SMC-006
|Title=Stravinsky - Le Sacre du Printemps
|SortableTitle=SMC-006
|Series=SMF Music Collection
|Producer=Rittor Music
|Programming=Yoshio Yoshikawa
|SoundFormats=GS
|FileFormats=SMF Type 0
|Medium=3½" 2DD
|ReleaseYear=1995
|CoverArt=SMC-006 Cover.jpg
}}
[https://en.wikipedia.org/wiki/Igor_Stravinsky Igor Stravinsky's] 1913 ballet [https://en.wikipedia.org/wiki/The_Rite_of_Spring The Rite of Spring]. Sold in clamshell case. The booklet contains commentary on each track by programmer [[Yoshio Yoshikawa]].

== Tracks ==
* '''Disk 1''' (SMC006-1): Part I, Adoration of the Earth
** SMC06_01.MID - Introduction / Augurs of Spring
** SMC06_02.MID - Ritual of Abduction / Spring Rounds
** SMC06_03.MID - Ritual of the Rival Tribes / Procession of the Sage / The Kiss of the Earth / Dance of the Earth
* '''Disk 2''' (SMC006-2): Part II: The Sacrifice
** SMC06_04.MID - Introduction / Mystic Circles of the Young Girls
** SMC06_05.MID - Glorification of the Chosen One / Evocation of the Ancestors / Ritual Action of the Ancestors
** SMC06_06.MID - Sacrificial Dance

== Credits ==
* Music data programming: [[Yoshio Yoshikawa|Yoshio Yoshikawa (吉川善雄)]]
* Cover design: AOC Communication
* Special thanks to: Hiroyuki Sasaki (佐々木浩行) of Watanabe Musical Instruments Co., Ltd (株式会社ワタナベ楽器店サウンドマーケット)

{{clear}}
== Liner notes ==
Commentary by programmer [[Yoshio Yoshikawa]].

{|
! 🇯🇵 Japanese (original)
! 🇬🇧 English (machine translated)
|- style="vertical-align:top;"
|colspan="2"| '''1-1: SMC06_01.MID'''
|- style="vertical-align:top;"
| '''序曲'''
高音域のファゴットのソロで、静かにゆっくりと曲は始まります。原曲では木管の対位的動きがしばらく続きますが、バス・クラリネットの代わりにコントラバスで鳴らしたり、クラリネットの細かい動きをシロフォンで代用したりして、音色変化を付けています。また、曲の終盤、トゥッティで盛り上がる部分(データ上では63~67小節——以下小節数をいう場合、すべて同じ)をスコアで見れば、各パートが非常にデリケートな対位的動きをしているのですが、指定どおりの音で鳴らすとグシャグシャになって単なる音塊になってしまいます。ですから、シロフォンやグロッケンといった音色を用いて、そうなることを防いでいます。
| '''Introduction'''
The song begins quietly and slowly with a high-pitched bassoon solo. In the original piece, the contrapuntal movement of the woodwinds continues for a while, but the timbre is changed by using a contrabass instead of the bass clarinet, and by substituting a xylophone for the clarinet's small movements. Also, if you look at the score at the end of the song, where the tutti rises (measures 63 to 67 in the data - all measures are the same), each part has a very delicate counterpoint. It moves, but if you play it with the specified sound, it becomes a mushy sound. Therefore, tones such as xylophone and glockenspiel are used to prevent this from happening.
|- style="vertical-align:top;"
| '''春のきざし~乙女たちの踊り'''
出だしの強烈なスタッカートと、アクセント部分のブラスによる悪魔の叫びのような不協和音は、ゲートタイムを幾分長めにとり、クロックをわずかにずらすことにより、その不気味な迫力を高めることができたと思っています。
| '''Augurs of Spring'''
I believe that by making the gate time a little longer and shifting the clock slightly, I was able to enhance the eerie power of the strong staccato at the beginning and the cacophony of the accented brass, which sounds like a devil's scream.
|- style="vertical-align:top;"
|colspan="2"| '''1-2: SMC06_02.MID'''
|- style="vertical-align:top;"
| '''誘拐'''
52~56小節間のトゥッティの部分の、例えば1チャンネル (第1バイオリン)を覗いてほしいのですが、ザンッと弓を引き下ろす感じを出すために、エクスプレッションにより瞬間的に127から52へと音量を下げています。音源の処理能力の関係で、少々荒っぽい下げ方ではありますが･･･。
| '''Ritual of Abduction'''
I would like you to take a look at, for example, channel 1 (first violin) in the tutti part between bars 52 and 56, but in order to create the feeling of the bow being pulled down quickly, you can use an expression to instantly change the sound from 127 to 52. I'm reducing the amount. Due to the processing power of the sound source, it's a bit of a rough way of lowering it...
|- style="vertical-align:top;"
| '''春の踊り'''
フルートのトリルを介して前曲と切れ目なしに続きます。そのちょうど境目 (67小節) の6チャンネルを開けてください。それがフルートのデータです。本来は4/4拍子なのですが、8/2拍子にしています。なぜかといえば、テンポ・コントロールだけでは十分な間を持たすことができないからです。それでその1小節だけで何と192個もトリルの音が入っているのです。
| '''Spring Rounds'''
It continues seamlessly with the previous song through the flute trill. Open channel 6 just at the boundary (measure 67). That's the flute data. Originally it is in 4/4 time, but it is now in 8/2 time. This is because tempo control alone cannot provide enough pauses. That's why there are 192 trills in just that one measure.
|- style="vertical-align:top;"
|colspan="2"| '''1-3: SMC06_03.MID'''
|- style="vertical-align:top;"
| '''敵の都の人々の戯れ'''
注目してほしいのは、40~61小節の12チャンネル (ティンパニ)です。これはオリジナル・スコアには影も形も見あたらない音――つまり私が勝手に付け加えたということです。しかし、これがまた実に効果的だと自画自賛しており、原曲にも絶対付け加えるべきだとさえ考えているくらいです。
| '''Ritual of the Rival Tribes'''
What you should pay attention to is channel 12 (timpani) from measures 40 to 61. This is a sound that has no trace or shape in the original score - in other words, I added it on my own. However, I am proud of myself for saying that this is so effective, and even think that it should definitely be added to the original song.
|- style="vertical-align:top;"
| '''賢者の行列'''
スコアを見た者でなければ、前曲との境目はわかりようがありません。6/4拍子と4/4拍子が融合して進行する曲で、パーカッション類が4/4拍子を受け持っています。ブ厚く鳴っていますが、2小節分打ち込めば、あとはコピーで作れてしまいます。唯一、楽をさせてもらった曲です。
| '''Procession of the Sage'''
Unless you have seen the score, you will not be able to tell the difference between this song and the previous song. The song progresses using a fusion of 6/4 time and 4/4 time, with the percussion instruments taking charge of the 4/4 time signature. It sounds thick, but if you type in two measures, you can copy the rest. It's the only song that made me happy.
|- style="vertical-align:top;"
| '''大地への口づけ'''
わずか4小節ですが、その4小節目 (100小節)の弦の音量変化に注目してください。すべてエクスプレッション・データの打ち込みによるコントロールです。曲想は確かに「大地への口づけ」に間違いありません。
| '''The Kiss of the Earth'''
It's only 4 measures long, but please pay attention to the change in the volume of the strings in the 4th measure (100 measures). All controls are controlled by inputting expression data. The song's theme is definitely "The Kiss of the Earth".
|- style="vertical-align:top;"
| '''大地の踊り'''
これは自身でたいへん気に入っているデータです。打ち込みに関していえば、スタッカート気味の音が多いのでそれほど苦労はしませんでしたが、ただ125~最終小節にかけての各パートのバランスをべロシティにより取るのには少々てこずりました。
| '''Dance of the Earth'''
This is data that I really like. As for the input, I didn't have much trouble since most of the sounds were staccato, but it was a little difficult to balance each part from the 125th to the final measure with the pitch of the bass.
|- style="vertical-align:top;"
|colspan="2"| '''2-1: SMC06_04.MID'''
|- style="vertical-align:top;"
| '''序曲'''
最も悪戦苦闘したのがこの「序曲」でした。そもそも原曲からしてヒドク地味で、バレエを観ながら聴くのならともかく、純粋に音楽として鑑賞するには余りにも面白くない曲です(少なくとも私はそう感じます)。それでいろいろ試行錯誤した末、思い切って音色の総入れ替えを試みました。例えば、原曲は3本のフルートの不協和音がダラダラ続いて始まるのですが、一番上の音だけを取り出して、それをシロフォンのトレモロで奏でたり、グロッケン、チューブラベルといったキラキラする音色を多用したりといった具合に、苦心惨憺の挙句どうにか聴くのが苦にならないよう仕上げたつもりです。ですから、この部分だけはぜひ原曲と聴き比べてほしいと願っております。
| '''Introduction'''
It was this "overture" that I struggled with the most. To begin with, the original song is very plain, and it's not interesting to listen to it while watching a ballet, but it's not very interesting to appreciate purely as music (at least that's how I feel). So after much trial and error, I decided to take the plunge and completely replace the tones. For example, the original song begins with a cacophony of three flutes playing one after the other, but I took out only the top note and played it with a xylophone tremolo, and used many sparkling tones such as glockenspiel and tube label. After much effort and misery, I tried to make it so that it wouldn't be a pain to listen to. Therefore, I would like you to listen to this part and compare it with the original song.
|- style="vertical-align:top;"
| '''乙女たちの神秘的なつどい'''
テンポが遅くてレガートな曲で、その音量コントロールにはエクスプレッションを多用しています。試しにどのチャンネルでも覗いてもらえば、画面のほとんどがエクスプレッション・データで埋まっているのがおわかりでしょう。ノート・データはまるで大海に点在する小島といった感じで、探すのにひと苦労するほどです。こういうタイプの曲が最も作りにくいのです。
| '''Mystic Circles of the Young Girls'''
This song has a slow tempo and is legato, and uses expressions a lot to control the volume. If you try watching any channel, you'll notice that most of the screen is filled with expression data. Note data are like small islands scattered in the ocean, and it can be quite difficult to find them. This type of song is the most difficult to create.
|- style="vertical-align:top;"
|colspan="2"| '''2-2: SMC06_05.MID'''
|- style="vertical-align:top;"
| '''いけにえの賛美'''
ここに至って前2曲で抑圧されていたエネルギーが一挙に爆発します。前曲の終わり6小節から、ブラスが、さながらダイナマイトの導火線に火がついたかのように、アッチェレランドしつつクレッシェンドして強烈な勢いで本曲へなだれこんでいきます。データ作成中の私の心理状態も全く音楽にシンク口しておりました。曲の中ほど(42~50小節) でバンクを切り替えて、2チャンネルに「Punch」、3 チャンネルに「Screaming」というのを入れていますが、これはちょっとした「お遊び」です。とはいえ、なかなか気に入ってもいます。
| '''Glorification of the Chosen One'''
At this point, the energy that had been suppressed in the previous two songs suddenly explodes. From the last 6 bars of the previous song, the last part of the song begins to accelerando and cresce into the main song with great force, as if a dynamite fuse has been lit. My mental state while creating the data was completely in sync with the music. In the middle of the song (measures 42 to 50), I switch banks and put "Punch" on channel 2 and "Screaming" on channel 3, but this is just for fun. However, I really like it.
|- style="vertical-align:top;"
| '''祖先の呼びだし'''
これは「祖先」というより「魔界の帝王」呼び出しのためのもの凄いファンファーレです。スコアでは3/2拍子ですが、テンポが早すぎてコンピュータの処理が追い付きませんので、テンポを半分に落とし、代わりに3/4拍子にしています。
| '''Evocation of the Ancestors'''
This is a tremendous fanfare for summoning the "Emperor of the Demon World" rather than an "ancestor". In the score, it has a 3/2 time signature, but the tempo is too fast for the computer to handle, so I cut the tempo in half and use a 3/4 time signature instead.
|- style="vertical-align:top;"
| '''祖先の儀式'''
特筆すべきは、全パート合わせてオタマジャクシが何と650匹もひしめいている小節 (138小節)があることです。たった1小節に650音! ―――狂気の沙汰としか言いようがありません。1チャンネルを開けてみれば、それだけで72個もノート・データが並んでいるのがわかります。
| '''Ritual Action of the Ancestors'''
What is noteworthy is that there is a bar (138 bars) in which 650 "tadpoles" are crowded together in all parts. 650 notes in just one measure! — It can only be described as madness. If you open one channel, you'll see that there are 72 note data lined up.
|- style="vertical-align:top;"
|colspan="2"| '''2-3: SMC06_06.MID'''
|- style="vertical-align:top;"
| '''いけにえの踊り'''
この大曲の最後を飾るにふさわしい雄大なスケールです。データ打ち込みに関していえば、それはもう大変でした。というのは、「祭典」はそもそも全曲通じて拍子が目まぐるしく変化するのが常ですが、特にこの終曲はそれが激しく、ほとんど1小節毎に拍子が変わるので、コピー、その他のコマンドが使いにくいからです。マスターとかコンダクターとか名付けられたトラックを開けてもらえば、その異常ともいえる拍子変化が一目瞭然でしょう。
| '''Sacrificial Dance'''
It is a magnificent scale that is suitable for the end of this great song. As for data entry, it was already difficult. This is because the time signature of "Festival" usually changes rapidly throughout the song, but it is especially severe in this last song, where the time signature changes almost every bar, making it difficult to use copy and other commands. It's from. If you open a track named Master or Conductor, you'll immediately notice the unusual time signature change.
|}

== Images ==
=== Cover ===
<gallery>
File:SMC-006_Cover_full.jpg
</gallery>

=== Disks ===
<gallery perrow="3">
File:SMC-006_Disk_1.jpg
File:SMC-006_Disk_1_back.jpg
File:SMC-006_Disk_1_spine.jpg
File:SMC-006_Disk_2.jpg
File:SMC-006_Disk_2_back.jpg
File:SMC-006_Disk_2_spine.jpg
</gallery>

=== Booklet ===
<gallery>
File:SMC-006_Booklet_01.jpg
File:SMC-006_Booklet_02.jpg
File:SMC-006_Booklet_03.jpg
File:SMC-006_Booklet_04.jpg
File:SMC-006_Booklet_05.jpg
File:SMC-006_Booklet_06.jpg
File:SMC-006_Booklet_07.jpg
File:SMC-006_Booklet_08.jpg
</gallery>

=== Other ===
<gallery>
SMC-006_Obi_strip.jpg
SMC-006_Registration_card_1.jpg
SMC-006_Registration_card_2.jpg
</gallery>

Yamaha YSH-101 Casiopea Perfect Copy Vol. 1

2025-12-17T05:03:49Z

Midiphile: Added scans and liner notes.

{{Disk
|Type=Songs
|Code=YSH-101
|Title=Casiopea Perfect Copy Vol. 1
|SortableTitle=YSH-101
|Series=Ensemble Series
|Producer=Yamaha
|Programming=TSS, Yoshinori Kobayashi
|SoundFormats=XG
|FileFormats=SMF Type 0
|Medium=3½" 2DD
|ReleaseYear=1995
|CoverArt=YSH-101 Cover.jpg
}}
Four songs by the Japanese jazz fusion group [https://en.wikipedia.org/wiki/Casiopea Casiopea]. Sold in clamshell case with full score. The production was supervised by Casiopea keyboardist [https://en.wikipedia.org/wiki/Minoru_Mukaiya Minoru Mukaiya].

== Tracks ==
* 01TAKEME.MID - Take Me
* 02ASAYAK.MID - Asayake
* 03D_LINE.MID - Domino Line
* 04SWEAR.MID - Swear

== Credits ==
* Supervision: Minoru Mukaiya
* Data programming: [[TSS]], [[Yoshinori Kobayashi]] (小林義典)
* Cover design: Toru Sezaki (瀬崎透)
* Produced by: Tokyo Onrai Books Co., Ltd. (東京音来図書株式会社)
* Published by: [[Yamaha|Yamaha Corporation]]
* Publishing date: 1995-03-20

{{clear}}
== Liner notes ==
Commentary from the booklet by Minoru Mukaiya.
{|
! 🇯🇵 Japanese (original)
! 🇬🇧 English (machine translated)
|-
|colspan="2"| '''Take Me'''
|- style="vertical-align:top;"
| オクターブ中に和音を入れて弾く“シャーリング・スタイル”がこの曲の一番の特徴です。キーボードがメイン・メロディーをとるので、ぜひキーボーディストはトライしてみましょう。
| This song's most distinctive feature is its "shirring style," which involves chords within the octave. The keyboard provides the main melody, so keyboardists should definitely give it a try.
|-
|colspan="2"| '''Asayake'''
|- style="vertical-align:top;"
| 僕たちカシオペアの代表的ナンバーで、大抵のコンサートではエンディングの方で演奏されます。日本人の味が良く出ているメロディーラインなので、海外では「アサヤケ=スキヤキ」といった感じで迎えられているようです。
| This is one of Cassiopeia's signature numbers, and we usually play it at the end of our concerts. The melody line really captures our Japanese flavor, so overseas, it seems to be known as "Asayake = Sukiyaki."
|-
|colspan="2"| '''Domino Line'''
|- style="vertical-align:top;"
| その名の通り、中間部には音のドミノ倒し”という抜を交えた非常に曲芸的なナンバー。ここではライヴでの演奏が使われているので、ベース、ドラムスのソロもあります。曲もスコアも長いので、首が痛くならないように。
| As the name suggests, this is a highly acrobatic number with a "domino effect" in the middle. It features live performances, so there are bass and drum solos. The song and score are both long, so be careful not to strain your neck.
|-
|colspan="2"| '''Swear'''
|- style="vertical-align:top;"
| ゆったりとしたムードの中に、秘められたエネルギーを感じさせる曲です。徐々に徐々に盛り上がってくるところが、僕にはとても印象的です。中期のカシオペアを代表する、オーケストラルなナンバーです。
| This song exudes a sense of hidden energy within its laid-back mood. The way it gradually builds up is particularly impressive to me. This orchestral number is representative of Cassiopeia's mid-period work.
|-
|colspan="2"| '''Minoru Mukaiya (向谷実)'''
|- style="vertical-align:top;"
| 1956年10月20日東京都出身。星座:天秤座血液型:A型

4歳半からオルガンを、5歳からはクラシックピアノを習い始め、6歳で既に作曲という、その類まれな才能が窺える。GS全盛期の中学1年の時にピアノからエレクトーンに転向、高校卒業後はヤマハのネム音楽院に入学。'77年、同年代の「野呂氏よりの誘いを受けてカシオペアを結成、ヤマハのコンテスト EASTWEST に出場し、プロの道を歩むことになる。カシオペアにはなくてはならない”核”的な立場に立っていると言えるだろう。卓越したテクニックと、オリジナリティ溢れる音色をふんだんに使うコードワークで、名曲をいくつも生み出してきた。そのキャッチーなメロディラインはカシオペアの中でも異彩を放ち、魅力のエッセンスを加えている。'85年にはソロアルバム「ミノルランド」を発表。93年には高中正義,神保彰櫻井哲夫をゲストに迎え、シンセサイザーとマッキントッシュを駆使して制作した「Tickle The Ivory」発表。

いつも最先端の技術を導入し、斬新な作品を作り上げることでは日本でも1.2 を争うパイオニアであろう。またライブではMCを手に引き受けており、そのコミカルで巧みな話術で人気を博している。88年にはFMラジオのパーソナリテイまで務めたという司会者顔負けの実力だ

音楽以外にも多彩な趣味を持一ことで有名で、飛近ではマルチメディアの分野にも進出しており、CX系深夜番組「Mr. ワトソン」にも出演。様々な公演イベレトを舞台に幅広く活躍している。その転じ、さで89年にはゲームソフト「2」の音楽を手掛けるなど積極的に新境地を開拓し続けている。メンバーの中でも、その優しい風貌と身近でユニークなキャラクターで女性の人気も高く、また、おいキーボーディストリン憧れの存在となっている。
| Born October 20, 1956, in Tokyo. Star Sign: Libra. Blood Type: A

He began studying organ at age four and a half, classical piano at age five, and composition at age six, demonstrating his exceptional talent. He switched from piano to the electric organ in his first year of junior high school, during the heyday of [https://en.wikipedia.org/wiki/Group_sounds GS]. After graduating from high school, he enrolled in Yamaha's Nemu Music Academy. In 1977, at the invitation of fellow musician Noro, he formed the band Casiopea. He entered the Yamaha EASTWEST contest and embarked on his professional career. He is an essential "core" figure in Casiopea. With his exceptional technique and chord work that makes abundant use of original tones, he has produced numerous hit songs. His catchy melody lines stand out even among Casiopea's music, adding an essential element to their appeal. In 1985, he released his solo album, "Minoruland." In 1993, he released "Tickle the Ivory", featuring guests Masayoshi Takanaka, Akira Jimbo, and Tetsuo Sakurai, utilizing synthesizers and a Macintosh.

Always incorporating cutting-edge technology and creating innovative works, he is a pioneer in Japan, competing for the top spot. He also serves as the MC at live shows, gaining popularity for his comical and skillful speaking skills. In 1988, he even served as an FM radio personality, a skill that rivals that of an MC.

He is known for his diverse hobbies outside of music, and has recently expanded into the multimedia field, appearing on the CX late-night program "Mr. Watson." He has been active in a wide range of performances and events. In 1989, he composed the music for the game "2," and continues to actively explore new horizons. His gentle appearance and approachable, unique personality make him popular among women, and he is also an idol for keyboardists.
|}

== Images ==
=== Cover ===
<gallery>
File:YSH-101_Cover_full.jpg
</gallery>
=== Disk ===
<gallery>
File:YSH-101_Disk.jpg
File:YSH-101_Disk_back.jpg
File:YSH-101_Disk_spine.jpg
</gallery>
=== Booklet ===
Only pages with text scanned.
<gallery>
File:YSH-101_Booklet_01.jpg
File:YSH-101_Booklet_02.jpg
File:YSH-101_Booklet_14.jpg
File:YSH-101_Booklet_28.jpg
File:YSH-101_Booklet_54.jpg
File:YSH-101_Booklet_72.jpg
</gallery>

== Links ==
* Yamaha music data purchase:
** [https://yamahamusicdata.jp/data/40898 Take Me]
** [https://yamahamusicdata.jp/data/34379 Asayake]
** [https://yamahamusicdata.jp/data/4259 Domino Line]
** [https://yamahamusicdata.jp/data/28149 Swear]

__NOTOC__

File:YSH-101 Disk spine.jpg

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2025-12-17T04:17:42Z

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Yamaha YSH-101 Casiopea Perfect Copy Vol. 1

2025-12-17T04:15:49Z

Midiphile: Created from scans.

File:YSH-101 Cover.jpg

2025-12-17T04:03:53Z

Midiphile:

Palo Alto PXMF-002 Van Halen - From 1984

2025-07-22T02:33:34Z

Midiphile: /* Images */ Aucfan link.

{{Disk
|Type=Songs
|Code=PXMF-002
|Title=Van Halen - From "1984"
|SortableTitle=PXMF-002
|Producer=Palo Alto
|Programming=Yoshio Shirahata, Hideo Mitsuda, Noritaka Kakiki, Izumi Naoya, Masaaki Hiraoka
|SoundFormats=XG
|FileFormats=SMF Type 0
|Medium=3½" 2DD
|ReleaseYear=1996
|CoverArt=PXMF-002 Cover.jpg
|RelatedProducts=Palo Alto PSMF-009 Van Halen - From 1984
}}
Songs by [https://en.wikipedia.org/wiki/Van_Halen Van Halen] from their album ''[https://en.wikipedia.org/wiki/1984_(Van_Halen_album) 1984]''. XG version of [[Palo Alto PSMF-009 Van Halen - From 1984|PSMF-009]]

== Tracks ==
# 1984
# Jump
# Panama
# Top Jimmy
# Hot for Teacher
# I'll Wait
# Girl Gone Bad
# House of Pain

== Credits ==
* Guitar programming:
** [[Yoshio Shirahata|Yoshio Shirahata (白畑能男)]] of Masahiro Kuwana Band (桑名正博バンド)
** [[Hideo Mitsuda|Hideo Mitsuda (光田英生)]] of Michio Kinugasa Band (豆田将バンド)
** [[Noritaka Kakiki|Noritaka Kakiki (垣木規孝)]]
* Bass programming: [[Izumi Naoya|Izumi Naoya (泉尚也)]]
* Programming: [[Masaaki Hiraoka|Masaaki Hiraoka (平岡昌晃)]]
* Directed by: Naoki Hashimoto (橋本尚樹)
* Art direction and design: Akiyoshi Yoda (余田明宜)
* Production coordinator: Tetsumi Tanaka (田中徹実)

== Images ==
Photos from Yahoo! Japan Auctions[https://aucview.aucfan.com/yahoo/n281136809/].
<gallery>
File:PXMF-002_auc_n281136809_1.jpg
File:PXMF-002_auc_n281136809_2.jpg
File:PXMF-002_auc_n281136809_3.jpg
</gallery>

__NOTOC__

Song disks

2025-07-03T04:20:00Z

Midiphile: Undo revision 2266 by Midiphile, no longer needed after escape fixes in Cargo.

{{#cargo_query:
tables=Disks=D
|fields=D.Producer, D.Series, CONCAT('[[', D._pageName, '|', D.Code, ']]') = Code , CONCAT('[[', D._pageName, '|', D.Title, ']]') = Title, CONCAT('', D.ReleaseYear) = Year, D.CoProduction = Co-production, D.Programming
|where=D.Type = 'Songs'
|order by=D.Producer, D.Series, D.SortableTitle, D.Code, D.Title
|limit=2000
|format=table
|merge similar cells=yes
}}

Roland RJL-6004J Bon Jovi Collection

2025-07-01T05:44:45Z

Midiphile: Added photos from Yahoo! Japan Auctions.

{{Disk
|Type=Songs
|Code=RJL-6004J
|Title=Bon Jovi Collection
|SortableTitle=RJL-6004J
|Series=Listen Series
|Producer=Roland
|CoProduction=Edirol
|Programming=Music Brains
|SoundFormats=GS
|FileFormats=SMF Type 0
|Medium=3½" 2HD
|ReleaseYear=1996
|CoverArt=RJL-6004J Cover.png
}}
Selected songs from the American rock band [https://en.wikipedia.org/wiki/Bon_Jovi Bon Jovi]'s 1994 greatest hits album [https://en.wikipedia.org/wiki/Cross_Road_(album) Cross Road].

== Tracks ==
* L6004_01.MID - Runaway
* L6004_02.MID - In and Out of Love
* L6004_03.MID - You Give Love a Bad Name
* L6004_04.MID - Livin' on a Prayer
* L6004_05.MID - Wanted Dead or Alive
* L6004_06.MID - Never Say Goodbye
* L6004_07.MID - Bad Medicine
* L6004_08.MID - I'll Be There for You

== Images ==
Photos from Yahoo! Japan Auctions[https://aucview.aucfan.com/yahoo/x1090522816/].
<gallery>
File:RJL-6004J_auc_x1090522816_1.jpg
File:RJL-6004J_auc_x1090522816_2.jpg
</gallery>

Photos from Yahoo! Japan Auctions[https://aucview.aucfan.com/yahoo/r1039426600/].
<gallery>
File:RJL-6004J_auc_r1039426600_1.jpg
File:RJL-6004J_auc_r1039426600_2.jpg
File:RJL-6004J_auc_r1039426600_3.jpg
File:RJL-6004J_auc_r1039426600_4.jpg
File:RJL-6004J_auc_r1039426600_5.jpg
File:RJL-6004J_auc_r1039426600_6.jpg
File:RJL-6004J_auc_r1039426600_7.jpg
</gallery>

Photos from Yahoo! Japan Auctions[https://aucview.aucfan.com/yahoo/t1189801001/].
<gallery>
File:RJL-6004J_auc_t1189801001_1.jpg
File:RJL-6004J_auc_t1189801001_2.jpg
File:RJL-6004J_auc_t1189801001_3.jpg
File:RJL-6004J_auc_t1189801001_4.jpg
File:RJL-6004J_auc_t1189801001_5.jpg
File:RJL-6004J_auc_t1189801001_6.jpg
</gallery>

Photos from Yahoo! Japan Auctions[https://aucview.aucfan.com/yahoo/g172476496/].
<gallery>
File:RJL-6004J_auc_g172476496_1.jpg
File:RJL-6004J_auc_g172476496_2.jpg
File:RJL-6004J_auc_g172476496_3.jpg
</gallery>

== Links ==
* [https://www.roland.mu/consumer/listening/detail.html?id=L6004 L6004 available for digital purchase on Roland.mu]

__NOTOC__

File:RJL-6004J auc x1090522816 2.jpg

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Roland RJL-6004J Bon Jovi Collection

2025-07-01T05:41:05Z

Midiphile: Added from Edirol CD-ROM catalogue.

File:RJL-6004J Cover.png

2025-07-01T05:31:59Z

Midiphile:

Roland RJK-9901J Complete Utilization Series Vol. 1 for SC-8850

2025-07-01T05:18:31Z

Midiphile: Added photos from Yahoo! Japan Auctions that includes obi strip.

{{Disk
|Type=Songs
|Code=RJK-9901J
|Title=Vol. 1 for SC-8850
|SortableTitle=RJK-9901J
|Series=Complete Utilization Series
|Producer=Roland
|Programming=Idecs, Music Brains, Hiroshi Hisamitsu, Hans-Jörg Scheffler, Steven G. Fisher
|SoundFormats=GS
|FileFormats=SMF Type 0
|Medium=CD-ROM
|ReleaseYear=1999
|CoverArt=RJK-9901J Cover.jpg
}}
Music data for 6 songs that demonstrate advanced MIDI programming techniques that use the Roland SC-8850 sound source to the fullest. In addition, 9 MIDI files with drum phrases are included. The drumming is performed on a Roland V-Drum kit by [[Steven G. Fisher]] and illustrates how life-like drumming can be re-created in MIDI with nuanced use of timing and velocity to achive details such as snare ghost notes or hi-hat and cymbal articulations. The CD also features Red Book audio tracks with SC-8850 renditions of the song files and three of the drum files.

The original title of the release is "''SC-8850徹底活用シリーズVol.1''". The translation used here is unofficial, as no English source has been found.

== Tracks ==
* '''Songs'''
** K9901_01.MID - Follow Me (Pat Metheny/Lyle Mays)
** K9901_02.MID - Spain (Chick Corea)
** K9901_03.MID - The Firebird: Infernal Dance (Igor Stravinsky)
** K9901_04.MID - Birdland (Joe Zawinul)
** K9901_05.MID - Breakin' Out to the Morning (Hiromasa Ijichi)
** K9901_06.MID - "DiSCotech" (Hans-Jörg Scheffler)
* '''Drum grooves'''
** K9901_07.MID - Rock Straight
** K9901_08.MID - Rock Shuffle
** K9901_09.MID - Slow Blues
** K9901_10.MID - Funk Shuffle
** K9901_11.MID - Fusion Funk 1
** K9901_12.MID - Fusion Funk 2
** K9901_13.MID - Jazz Swing Big Band
** K9901_14.MID - Jazz Swing Brush
** K9901_15.MID - Reggae

== Credits ==
* Music data programming
** [[Idecs]]: Track 1
** [[Music Brains]]: Tracks 2, 4, 5
** [[Hiroshi Hisamitsu|Hiroshi Hisamitsu (久光浩)]]: Track 3
** [[Hans-Jörg Scheffler]]: Track 6
** [[Steven G. Fisher]]: Tracks 7-15

== Images ==
=== Cover ===
<gallery>
File:RJK-9901J_Cover_full.jpg
File:RJK-9901J_Cover_inside.jpg
File:RJK-9901J_Cover_back.jpg
</gallery>

=== Disc ===
<gallery>
File:RJK-9901J_Disc.jpg
File:RJK-9901J_Disc_back.jpg
</gallery>

=== Online listings ===
Photos from Yahoo! Japan Auctions[https://aucview.aucfan.com/yahoo/s1036553975/].
<gallery>
File:RJK-9901J_auc_s1036553975_1.jpg
File:RJK-9901J_auc_s1036553975_2.jpg
File:RJK-9901J_auc_s1036553975_3.jpg
File:RJK-9901J_auc_s1036553975_4.jpg
</gallery>

__NOTOC__

File:RJK-9901J auc s1036553975 4.jpg

2025-07-01T05:17:33Z

Midiphile: File uploaded with MsUpload

File uploaded with MsUpload

File:RJK-9901J auc s1036553975 3.jpg

2025-07-01T05:17:33Z

Midiphile: File uploaded with MsUpload

File uploaded with MsUpload

File:RJK-9901J auc s1036553975 2.jpg

2025-07-01T05:17:32Z

Midiphile: File uploaded with MsUpload

File uploaded with MsUpload

File:RJK-9901J auc s1036553975 1.jpg

2025-07-01T05:17:31Z

Midiphile: File uploaded with MsUpload

File uploaded with MsUpload

Roland RJL-8005J Weather Report Best

2025-07-01T05:13:47Z

Midiphile: /* Images */ Use Aucfan links.

{{Disk
|Type=Songs
|Code=RJL-8005J
|Title=Weather Report Best
|SortableTitle=RJL-8005J
|Series=Listen Series
|Producer=Roland
|CoProduction=Edirol
|Programming=Idecs, Mitsuru Sakaue
|SoundFormats=GS
|FileFormats=SMF Type 0
|Medium=3½" 2HD
|ReleaseYear=1998
|CoverArt=RJL-8005J Cover.jpg
}}
Songs by the American jazz fusion band [https://en.wikipedia.org/wiki/Weather_Report Weather Report]. This release stands out for taking [[Idecs|Idecs']] renowned attention to accurate interpretations and creative use of the Roland SC-55 for sound modelling and emulation of instrument articulations to new levels by the inclusion of extended live renditions of the pieces.

== Tracks ==
* L8005_01.MID - Black Market (from the live album ''"[https://en.wikipedia.org/wiki/8:30 8:30]"'')
* L8005_02.MID - A Remark You Made (from the album ''"[https://en.wikipedia.org/wiki/Heavy_Weather_(album) Heavy Weather]"'')
* L8005_03.MID - Rockin' in Rhythm (from the album ''"[https://en.wikipedia.org/wiki/Night_Passage_(album) Night Passage]"'')
* L8005_04.MID - Young and Fine (from the album ''"[https://en.wikipedia.org/wiki/Mr._Gone_(album) Mr. Gone]"'')
* L8005_05.MID - Teen Town (from the live album ''"[https://en.wikipedia.org/wiki/8:30 8:30]"'')
* L8005_06.MID - Birdland (from the live album ''"[https://en.wikipedia.org/wiki/8:30 8:30]"'')

== Images ==
Photos from Yahoo! Japan Auctions[https://aucview.aucfan.com/yahoo/h299116705/].
<gallery>
File:RJL-8005J_auc_h299116705_1.jpg
File:RJL-8005J_auc_h299116705_2.jpg
File:RJL-8005J_auc_h299116705_3.jpg
</gallery>

Photos from Yahoo! Japan Auctions[https://aucview.aucfan.com/yahoo/g494413026/].
<gallery>
File:RJL-8005J_auc_g494413026_1.jpg
File:RJL-8005J_auc_g494413026_2.jpg
File:RJL-8005J_auc_g494413026_3.jpg
</gallery>

== Links ==
* [https://www.roland.mu/consumer/listening/detail.html?id=L8005 L8005 available for digital purchase on Roland.mu]
* [https://web.archive.org/web/19981206030904/http://www.edirol.co.jp:80/home/musicdata/new9806.htm Archived RJL-8005J release announcement]
* [https://www.dearhoney.idv.tw/midi-music/roland/rjl-8005j/ RJL-8005J at DearHoney]

KORG KSMF-S11 Jeff Beck

2025-07-01T05:12:04Z

Midiphile: More pics archived by Aucfan.

{{Disk
|Type=Songs
|Code=KSMF-S11
|Title=Jeff Beck
|SortableTitle=KSMF-S11
|Series=Super Library Series
|Producer=KORG
|SoundFormats=GM
|FileFormats=SMF Type 0
|Medium=3½" 2DD
|ReleaseYear=1995
|CoverArt=KSMF-S11 Cover.jpg
}}
Songs by [https://en.wikipedia.org/wiki/Jeff_Beck Jeff Beck]

== Tracks ==
* '''Disk 1''' (KSMF-S11A)
** KS11-010.MID - Scatterbrain
** KS11-020.MID - Cause We've Ended As Lovers
** KS11-030.MID - Led Boots
** KS11-040.MID - Blue Wind
** KS11-050.MID - Star Cycle
* '''Disk 2''' (KSMF-S11B)
** KS11-060.MID - People Get Ready
** KS11-070.MID - Goodbye Pork Pie Hat
** KS11-080.MID - Freeway Jam
** KS11-090.MID - Come Dancing
** KS11-100.MID - El Becko

== Images ==
Photos from Yahoo! Japan Auctions[https://aucview.aucfan.com/yahoo/m255753285/].

<gallery>
File:KSMF-S11_auc_m255753285_1.jpg
File:KSMF-S11_auc_m255753285_2.jpg
File:KSMF-S11_auc_m255753285_3.jpg
File:KSMF-S11_auc_m255753285_4.jpg
File:KSMF-S11_auc_m255753285_5.jpg
</gallery>

Photos from Yahoo! Japan Auctions[https://aucview.aucfan.com/yahoo/d223591319/].

<gallery>
File:KSMF-S11_auc_d223591319_1.jpg
File:KSMF-S11_auc_d223591319_2.jpg
File:KSMF-S11_auc_d223591319_3.jpg
</gallery>

File:KSMF-S11 auc m255753285 5.jpg

2025-07-01T05:11:51Z

Midiphile: File uploaded with MsUpload

File uploaded with MsUpload

File:KSMF-S11 auc m255753285 4.jpg

2025-07-01T05:11:51Z

Midiphile: File uploaded with MsUpload

File uploaded with MsUpload

Roland RJK-9903J Complete Utilization Series Vol. 2 for SC-8850 and SC-8820

2025-07-01T05:09:01Z

Midiphile: /* Tracks */ Formatting.

{{Disk
|Type=Songs
|Code=RJK-9903J
|Title=Vol. 2 for SC-8850/SC-8820: Guitar Programming Edition
|SortableTitle=RJK-9903J
|Series=Complete Utilization Series
|Producer=Roland
|Programming=Music Brains
|SoundFormats=GS
|FileFormats=SMF Type 0
|Medium=CD-ROM
|ReleaseYear=1999
|CoverArt=RJK-9903J Box front.jpg
}}
Music data for 5 guitar centric songs that demonstrate advanced MIDI programming techniques that use the Roland SC-8850 and SC-8820 sound sources to the fullest. In addition, 10 MIDI files with guitar phrases are included, illustrating how realistic guitar playing can be re-created in MIDI data.

The original title of the release is "SC-8850／SC-8820徹底活用シリーズVol.2　-ギター打ちこみ編-". The translation used here is unofficial, as no English source has been found.

Unlike previous Roland MIDI data that were packaged in a CD-sized jewel case, this product was sold in a cardboard box with a blank jewel case and a liner notes sheet inside. This release is also of significance to MIDI data epicureans because it is the last of Roland's self-produced MIDI programming of commercial music sold on physical media to the consumer market for listening purposes, marking the end of the golden era of MIDI data. The gap in the usually sequential product codes, with RJK-9902J missing, could indicate that other productions were cancelled before being finalised. Roland would still make material for educational, promo, demo, karaoke and play-along purposes in the following years, such as the VIMA Tunes series.

== Tracks ==
* '''Songs'''
** K9903_01.MID - Blue Eyes Blue (Eric Clapton)
** K9903_02.MID - Inspiration (Gipsy Kings)
** K9903_03.MID - Diamond Head (The Ventures)
** K9903_04.MID - Star Cycle (Jeff Beck)
** K9903_05.MID - A Night in Tunisia (Dizzy Gillespie, arrangement by [[Music Brains]])
* '''Guitar phrases'''
** K9903_06.MID - E.Gt. Riff Distortion
** K9903_07.MID - E.Gt. Riff Clean
** K9903_08.MID - E.Gt. Riff Wah
** K9903_09.MID - E.Gt. Hard Rock Solo
** K9903_10.MID - Steel-str. Arpeggio
** K9903_11.MID - Steel-str. Cutting
** K9903_12.MID - Nylon-str. Classical
** K9903_13.MID - Nylon-str. Spanish
** K9903_14.MID - Nylon-str. Bossa Nova
** K9903_15.MID - Ac.Bass Walking

== Images ==
=== Box ===
<gallery>
File:RJK-9903J_Box_front.jpg
File:RJK-9903J_Box_back.jpg
File:RJK-9903J_Box_side.jpg
File:RJK-9903J_Box_top.jpg
</gallery>

The top/bottom and left/right sides of the box are identical.

=== Liner notes ===
<gallery>
File:RJK-9903J_Liner_notes.jpg
</gallery>

=== Disc ===
<gallery>
File:RJK-9903J_Disc.jpg
File:RJK-9903J_Disc_back.jpg
</gallery>

__NOTOC__

Roland RJK-9901J Complete Utilization Series Vol. 1 for SC-8850

2025-07-01T05:08:39Z

Midiphile: /* Tracks */ Formatting.

KORG KSMF-S09 Steely Dan

2025-07-01T05:08:12Z

Midiphile: More pics archived by Aucfan.

{{Disk
|Type=Songs
|Code=KSMF-S09
|Title=Steely Dan
|SortableTitle=KSMF-S09
|Series=Super Library Series
|Producer=KORG
|SoundFormats=GM
|FileFormats=SMF Type 0
|Medium=3½" 2DD
|ReleaseYear=1995
|CoverArt=KSMF-S09 Cover.jpg
}}
Songs by [https://en.wikipedia.org/wiki/Steely_Dan Steely Dan], featuring [https://en.wikipedia.org/wiki/Donald_Fagen Donald Fagen].

== Tracks ==
* '''Disk 1''' (KSMF-S09A)
** KS09-010.MID - Rikki Don't Lose That Number
** KS09-020.MID - Black Friday
** KS09-030.MID - Aja
** KS09-040.MID - Peg
** KS09-050.MID - Babylon Sisters
* '''Disk 2''' (KSMF-S09B)
** KS09-060.MID - Hey Nineteen
** KS09-070.MID - Gaucho
** KS09-080.MID - I.G.Y. (from The Nightfly by Donald Fagen)
** KS09-090.MID - New Frontier (from The Nightfly by Donald Fagen)
** KS09-100.MID - Tomorrow's Girls (from Kamakiriad by Donald Fagen)

== Images ==
Photos from Yahoo! Japan Auctions[https://aucview.aucfan.com/yahoo/x542724219/].

<gallery>
File:KSMF-S09_auc_x542724219_1.jpg
File:KSMF-S09_auc_x542724219_2.jpg
File:KSMF-S09_auc_x542724219_3.jpg
File:KSMF-S09_auc_x542724219_4.jpg
File:KSMF-S09_auc_x542724219_5.jpg
File:KSMF-S09_auc_x542724219_6.jpg
</gallery>