KORG KSMF-S04 Ryuichi Sakamoto Part-1
| KORG KSMF-S04 Super Library Series Ryuichi Sakamoto Part-1
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| Production: | KORG |
| Series: | Super Library Series |
| Code: | KSMF-S04 |
| Title: | Ryuichi Sakamoto Part-1 |
| Release year: | 1995 |
| Programming: | Junzo Tateiwa |
| Sound format: | GM |
| File format: | SMF Type 0 |
| Medium: | 3½" 2DD |
Songs by Ryuichi Sakamoto from the 80's and late 70's. Full disk title: "The Decade of Ryuichi Sakamoto Part-1, in 80th Fieldwork" [sic].
Tracks
- Disk 1 (KSMF-S04A)
- KS04-010.MID - Summer Nerves / Summer Nerves
- KS04-020.MID - Thousand Knives / 千のナイフ
- KS04-030.MID - The End of Asia / チのナイフ
- KS04-040.MID - Field Work / Single
- KS04-050.MID - Tell 'em To Me / 左うでの夢
- Disk 2 (KSMF-S04B)
- KS04-060.MID - Tibetan Dance / 音楽図鑑
- KS04-070.MID - Etude / 音楽図鑑
- KS04-080.MID - Paradise Lost / 音楽図鑑
- KS04-090.MID - 黃土高原 / 未来派野郎
- KS04-100.MID - Merry Christmas Mr. Lawrence Main Theme
Liner notes
| 🇯🇵 Japanese (original) | 🇬🇧 English (machine translated) |
|---|---|
| 「坂本龍一 the Decade of Ryuichi Sakamoto Part-1,80th Fieldwork」制作ノート 立岩潤三
坂本龍一の音楽キャリア 1st Decade ともいうべき80年代の作品は、YMOに入る前の ソロ活動から、世界のサカモトに劇的な変身を遂げていく過程を活写したものといえ、 音楽的にはYMOよりも興味深く感じていました。作品にはアナログシンセサイザ、 生楽器からサンプリングまで幅広く取り入れており、再現に苦労しましたが、制作用 音源05R/Wのシーケンサーから動かすことの出来るパラメータの殆ど全てを使って かなり雰囲気を出すことが出来たと思っています。一番苦労した大曲「1000Knives」 の渡辺香津美のギターパート、「Paradise Lost」のトランジスタボイス、「Etude」の Jazz部分のグループ、「The End of Asia」 コーダ部分の逆回転サウンドにご注目ください。 さ~て、次はPart-2か..... (かのない笑い)。 |
"The Decade of Ryuichi Sakamoto Part-1, 80th Fieldwork" Production Notes by Junzo Tateiwa
Ryuichi Sakamoto's works from the 1980s—what could be called the "1st Decade" of his musical career—show the journey from his solo activities before joining YMO to his dramatic transformation into the globally known "Sakamoto". Musically, I found these works even more interesting than YMO's. The works incorporate a wide range of elements, from analog synthesizers and live instruments to sampling. Recreating them was challenging, but I think I managed to capture the atmosphere by using almost all the parameters available in the 05R/W sound module that can be controlled by a sequencer. Please pay attention to Kazumi Watanabe's guitar part in the epic "1000 Knives", the transistor voice in "Paradise Lost", the jazz section in "Etude", and the reverse playback sound in the coda of "The End of Asia". Well then, next is Part-2... (chuckling) |
Images
Photos from Yahoo! Japan Auctions[1].
Links